Phonological Features¶
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Sound Effects¶
Phonological studies:
- phonemes / segments
- supra-segmental features
| Level | Features |
|---|---|
| Phonemes / segments | consonants, vowels, semi-vowels, diphthongs, consonant clusters |
| Supra-segmental features | syllables, stress, tone, intonation, vowel length, pause, speech rate, rhythm |
English Phonology¶
| Category | Examples |
|---|---|
| Consonants | /p/, /t/ |
| Vowels | /i:/, /u:/ |
| Semi-vowels | /w/, /j/ |
| Diphthongs | /ei/, /ou/ |
| Consonant clusters | /pl/, /sp/, /sk/, /fl/, /gl/, /sl/ |
Phonaesthesia¶
Sound patterns suggest sensory or psychological meanings.
| Pattern | Association | Examples |
|---|---|---|
| open vs. closed vowels | size / weight / openness | splish, splash, splosh |
| front vowels | small, thin, sharp, light | tittle, bit, thin, slit, sliver |
| back vowels | deep, heavy, dark | gloom, boom, loom |
| /fl-/ | sudden movement | flap, flare, fling, flick, flop |
| /gl-/ | light | gleam, glare, glint, glitter, glisten |
| /sl-/ | smooth / wet surface | slippery, slide, slime, slushy |
| /-le/, /-er/ | repetition / small repeated movement | bubble, twinkle, ripple, mutter, flutter |
Example
Tennyson, Come Down, O Maid
The moan of doves in immemorial elms,
And murmuring of innumerable bees...
- Repeated nasal sounds, especially /m/.
moan,immemorial,murmuring,innumerable.- Effect: soft, continuous, humming, dreamy.
Example
Keats, To Autumn
Or by a cider press, with patient look,
Thou watchest the last oozings hours by hours.
oozingshas slow, lingering vowel movement.hours by hoursslows rhythm.- Effect: patient, slow, autumnal, lingering.
Onomatopoeia¶
Examples:
- buzz
- hiss
- tick-tock
- cock-a-doodle-doo
Characteristics:
- universal phenomenon
- small share of vocabulary
- culturally shaped by phonotactics
- vivid and impressive
- common in nursery rhymes, comic books, advertisements, literary works
| Language | Common Pattern |
|---|---|
| English | mostly nouns and verbs; often monosyllabic |
| Chinese | mostly adjectives and adverbs; often reduplication |
Example
Thomas Nashe, Spring
Spring, the sweet Spring, is the year's pleasant king;
then blooms each thing, then maids dance in a ring;
cold doth not sting, the pretty birds do sing;
Cuckoo, jug-jug, pu-we, to-witta-wo!
- End rhyme:
Spring / king / thing / ring / sting / sing. - Onomatopoeia:
Cuckoo,jug-jug,pu-we,to-witta-wo. - Effect: lively, musical, cheerful spring atmosphere.
Example
白居易, 《琵琶行》
大弦嘈嘈如急雨,小弦切切如私语。
岂无山歌与村笛?呕哑嘲哳难为听。
| Chinese | Translation | Effect |
|---|---|---|
| 嘈嘈 / 切切 | thrummed, pattering, tinkled, murmuring |
musical texture |
| 呕哑嘲哳 | crude and strident, grate the ear, rough jangles jar |
harsh, unpleasant sound |
Syllable Structure¶
| Language | Typical Structure | Notes |
|---|---|---|
| Chinese | monosyllabic, (C)V(n) | 双声, 叠韵 |
| English | multi-syllabic, (C)(C)(C)V(C)(C)(C)(C) | complex consonant clusters |
Chinese sound patterns:
- 双声: same or similar initial consonants, e.g. 犹豫, 慷慨, 崎岖
- 叠韵: same or similar finals, e.g. 苗条, 蜿蜒, 蹉跎
荡漾处多用叠韵,促节处多用双声。
Rhyming¶
Effects:
- musical
- poetic
- emphatic
- cohesive
- memorable
Types¶
\(C_3^2 + C_3^1 = 3 + 3 = 6\)
| Type | Pattern | Example |
|---|---|---|
| Rhyme | CVC | send / mend |
| Pararhyme | CVC | send / sound |
| Reverse rhyme | CVC | great / graze |
| Alliteration | CVC | great / grow |
| Assonance | CVC | send / bell |
| Consonance | CVC | sent / faint |
- semi-rhyme: mend / ending
- imperfect rhyme: caring / wing
- eye rhyme: though / tough
- masculine rhyme: hat / cat / mat
- feminine rhyme: stranger / danger
- triple rhyme: mystery / history
Example
Poe, The Raven
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me-filled me with fantastic terrors never felt before;
Only this and nothing more.
silken / sad: alliteration.thrilled / filled: rhyme.rustling / curtain: soft friction-like sound.- Effect: gothic, musical, haunting.
Rhyme Scheme¶
Common schemes:
| Scheme | Form |
|---|---|
| Couplet | AABBCCDD |
| Alternate rhyme | ABAB CDCD EFEF |
| Enclosed rhyme | ABBA |
| Shakespearean sonnet | ABAB CDCD EFEF GG |
| Frost chain rhyme | AABA BBCB CCDC DDDD |
| Villanelle | ABA ABA ABA ABA ABA ABAA |
| Keatsian ode | ABABCDECDE |
| Rhyme royal | ABABBCC |
Example
Ten Little Soldier Boys
Ten little soldier boys went out to dine; (A)
One choked his little self and then there were nine. (A)
Nine little soldier boys sat up very late; (B)
One overslept himself and then there were eight. (B)
Scheme: AABB.
Example
Frost, Stopping by Woods on a Snowy Evening
| Stanza | Scheme |
|---|---|
| 1 | AABA |
| 2 | BBCB |
| 3 | CCDC |
| 4 | DDDD |
- Chain rhyme creates quiet forward movement.
- Repetition of
And miles to go before I sleepcreates echo and depth. sleep: literal rest + possible death.
Example
Shakespeare, Sonnet 18
Scheme:
Final couplet:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
see / thee: heroic couplet-like closure.- Effect: balance, elegance, argumentative progression, immortality through poetry.
Example
Dylan Thomas, Do Not Go Gentle into That Good Night
Scheme:
Refrains:
Do not go gentle into that good night.
Rage, rage against the dying of the light.
- Tight two-rhyme structure.
- Repetition creates urgency, obsession, incantatory force.
Metrics¶
Measurement:
Foot¶
| Foot | Pattern | Example |
|---|---|---|
| iamb | ˘ - | away, at once |
| trochee (adj. trochatic) | - ˘ | only, hope so |
| anapest | ˘ ˘ - | intervene |
| dactyl | - ˘ ˘ | happily |
Meter¶
| Meter | Feet |
|---|---|
| Dimeter | 2 |
| Trimeter | 3 |
| Tetrameter | 4 |
| Pentameter | 5 |
| Hexameter | 6 |
| Heptameter | 7 |
| Octameter | 8 |
Common patterns:
| Pattern | Effect | Example |
|---|---|---|
| Iambic pentameter | balanced, elevated, natural-serious | To strive, to seek, to find, and not to yield. |
| Iambic tetrameter | natural, quiet, reflective | The woods are lovely, dark and deep. |
| Trochaic tetrameter | assertive, chant-like, energetic | Tiger! Tiger! Burning bright |
| Anapestic tetrameter | forward-driving, tense, galloping | The Assyrian came down like the wolf on the fold |
| Dactylic tetrameter | falling, declining, sad | We that had loved him so, followed him, honored him |
Poetic Forms¶
| Form | Definition | Effect |
|---|---|---|
| Blank verse | unrhymed iambic pentameter | elevated but flexible, dramatic |
| Heroic couplet | rhymed pair of iambic pentameter lines | balanced, formal, conclusive |
| Parody | imitation + exaggeration of noticeable features | comic effect |
Example
Blank verse:
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer...
- Unrhymed.
- Iambic pentameter.
- Poetic yet close to dramatic speech.
Example
Heroic couplet:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
Check:
- end rhyme
- iambic pentameter
- possible alliteration / assonance
Example
Parody:
- imitate a writer, work, or genre
- exaggerate noticeable features
- produce comic effect
Success depends on recognizing style markers:
- rhyme scheme
- meter
- repetition
- tone
- diction
- imagery
- sentence pattern